He’s growing
Barbie and 4 corpses in animatronics
I guess henry didn’t like the kids in the animatronics
fnaf doodles
Oh hi i’m in my fnaf era
You’re right Peter Parker wouldn’t do this
on an unrelated note i don’t think that guy spider-man would, either.
Spider-Man definitely would, he’s a menace!
there’s a lot of really good color theory materials out there that would explain how it all works far far better than i ever could
but i will show you a couple of good tricks i learned along the way that will save you a lot of time and trouble if you don’t like watching/reading loads of theory (which you should still watch/read btw, i’m not saying to ditch it altogether) and more of a practical learner as i am
i often start coloring with simply using an eyedrop tool to choose base colors, it helps to keep the same color relations as the original, that way you won’t end up with white-washed characters or wrong tones of clothing
in case of this drawing the final piece has water right under the characters, so i chose to make palette warmer on the top and colder on the bottom
the easiest way to make a soft, less contrast palette with the same color relations is to add a solid color or a gradient under the lineart; no overlay style, just a semi-transparent layer with color; on the contrary if you want a more contrast image you’d set overlay on multiply etc
colored lineart is optional, really. a lot of times you’ll hear DON’T COLOR/LINE WITH BLACK!!!!!!! that’s fake news, black lineart can make an image pop very well, but it doesn’t work with everything, so choose wisely
there’s two ways to add shadows to your drawing - by adding shadows (duh) or by adding the absense of shadows
i use both ways but since i almost never see anyone mentioning the second one: what i mean by it is you need to fully cover your characters in solid shadow and then erase the parts with light
a lot of artists choose the color of shadow individually for every part of the drawing - skin, hair, clothes etc; i personally like to choose one color for shadow and
one whole shadow layer not only saves you a ton of time, unlike choosing color individually, but it also means you can freely play with the color of it, which can affect your image A LOT
now back to the main palette! this trick is for photoshop only as far as i know
PS has 2 really helpful overlay styles - Hue and Color and as the names suggest it changes the hue or color of your image based on the color above it
PS also has a fun thing called Gradient Map (Image -> Adjustments -> Gradient Map) that converts the monochrome tones into ANY colors of the same relation
the last trick i’ll show you is particularly useful when you’re too lazy to color the lineart
i fill base colors by using paint bucket tool, it’s simple and fast, but it also means no colors under the lines
which is annoying but what can you do right? ¯\_(ツ)_/¯ actually there is something you can do! here’s a step-by-step
that’s all that comes to mind for now, hope it was helpful in any way! most of these tricks were born out of the notion “how do i produce a really good image with as much saved time and actions as possible”, which probably won’t do for perfectionists, but to all the lazy artists out there like me - try it lmao